Articles by Gareth Watkin
This may be seen as a wonderful return to form, and simultaneously, an advancement of their new style.
Electronic layers seem switch from support to sabotage of the music, the processed clarinet creates something hauntingly beautiful that is expressed in whole album.
Pissing Stars offers us an incredible throw of emotion and feeling as we’re dragged through a world that through all the chaos, confusion, destruction and death, still displays the most beautiful of emotion in the most extraordinary of ways.
Sometimes you get a band that not only nail down their influences perfectly, but even go as far to create a work of art that feels familiar to those influences, whilst having an incredible edge that greatly sets it apart and allows it to stand on its own merit.
Feels much like being thrown into an ever darkening room, where all the light slowly dissipates until there is only a voice calling out in the thick black darkness, desperate to express those unbearable clouding thoughts
The result is of course that quintessential post-rock experience, one that builds up with a fevered ferocity and urgency, whilst featuring qualities that make it seem a little more modern and up-dated.
A less-is-more approach gives the album a very dreamy ethereal quality as we slowly get pulled into the waves of ambient drones
Kowalsky’s approach to composition has resulted in an album that is incredibly inviting and lovely, and one that sticks around well after its finished, giving those who listen with rapt attention a wonderful and warm presence that elevates mood to something comfortable.
EP releases of this nature are always a delight when they achieve exactly what they need to, which more often than not is serving as an introduction to the band in question.
Bustling with life and activity as everything rushes and zooms past, feeling oddly organic at times yet distinctly clinical and empty at others
What makes it all the more powerful is just how beautiful and emotive the tracks all are, how it all expresses an incredible range of emotion and feeling whilst still having a powerful level of impact in its sentiment.
Things are dark, mysterious, scary but above all else, just simply fun and enjoyable.
A very emotionally charged yet completely euphoric album experience.
A mish-mesh of styles and concepts, acoustic, non-acoustic, electronic and field recordings all interplaying within each other to create an experimental record bound by a peculiar pop sensibility.
A feeling of being pulled deep into the dark abyss of the ocean, slowly sinking as all light gradually disappears until there’s nothing.
Everything pulses and ebbs into the scene, feeling oddly stark and cold and wonderfully futuristic.
A wonderfully strong record that definitely shows the band as one which continues to improve and impress.
From the moment the album begins, one instantly begins to understand that this is a work that is going to be very emotive, in all of the best ways.
Cousin amalgamates so many different genres and ideas all into one cohesive vision.
Everything melds together very comfortably and effortlessly, resulting in a post-rock experience that seems to grow in strengths the further and further you delve into it all.
Here, we’ve now been given a chance to see just what Moss has to offer, and my goodness is it stunning.