Articles by Dave Cooper
For the committed fan, this tour is a treat indeed; for those who want to find out what kind of alchemy has made ‘Images And Words’ – and the band that made it – so iconic and influential, it is nothing less than a masterclass in modern progressive rock.
‘As The Stages Burn!’ is as perfect a document of the ‘War Eternal’ tour as Arch Enemy devotees could possibly hope to see and hear, but it has greater significance even than that. It points the way forward for a reinvigorated band, and also serves as the perfect appetizer for new listeners. This is a hugely powerful performance from one of death metal’s most enduring bands, beautifully recorded, mixed and presented. Play it loud.
‘The Night Siren’ is perhaps Hackett’s most openly political work from his entire five decade career: not the politics of parliament, but the politics of humanitarianism. Clearly the current dramas being enacted in countries across the globe have had a powerful impact on Hackett, and this is reflected in what feels like one of his most dynamic and powerful – and personal and emotive – records.
Metallica still know their way around a riff like few others, and the band are on excellent form. This is a hugely enjoyable album from a veteran band who clearly have their eyes set on the road ahead whilst being at peace with their illustrious past.
‘Naturalis’ is the sound of a band really finding its feet; it manages to sound totally cohesive and uncontrived; Maschine have taken a huge step forward with this album. What we have here is one of the most well-wrought and imaginative progressive rock albums to be released this year.
For all its familiarity, there’s enough here that’s new and intriguing to hold the interest of both existing fans and new listeners alike, Sirenia have proved through their longevity and sheer determination that they are not to be underestimated, and ‘Dim Days of Dolor’ is ample proof that they’ve still got plenty to say.
‘Say’ is a confident, polished, wonderfully performed and produced record that showcases Rob Cottingham’s skills as a songwriter and performer, and his new bandmates as perfect foils.
As grandiose, thoughtful and individualistic as long-term listeners have come to expect, ‘The Holographic Principle’ serves as a defining statement, a hugely enjoyable milestone for one of metal’s most ambitious and creative bands. – By Dave Cooper
Crank this record up and it really is just like standing front and center at one of Curved Air’s shows whilst the band play, dancing along a musical precipice. And that is reason enough for this release to be positively essential for Curved Air’s dedicated fans. For everyone else, Tapestry Of Propositions is a glimpse under the band’s bonnet. Even after all these years, there’s still plentiful magic at play. – by Dave Cooper
Dutch symphonic metallers Epica release their seventh studio album, ‘The Holographic Principle’, this September. Dave Cooper caught up with Mark Jansen (guitars, vocals) and Simone Simons (vocals) to find out more about what makes this veteran band tick, the perils of staging large shows, what they like to do on their tour bus and – oh yes – the nature of reality.
‘The Book Of Opeth’ is a fitting testament to the slow but steady rise of one of modern metal’s most intriguing and adventurous bands. Theirs is a success built on bloody-minded dedication to their own very distinctive voice, to following their instincts no matter where they might lead. Such individualism is the very soul of progressive rock, and the very spirit of metal – and what could be more fitting than that? – By Dave Cooper
Dave Cooper caught up with Iamthemorning vocalist Marjana Semkina to find out what lies under the turbulent waters of their latest work and the duo’s determined approach to making music.
Strange Little Birds’ is one of Garbage’s best albums to date. It successfully blends the more organic, band-oriented material with the widescreen studio experimentation of the band’s early material, and the playing is reassuringly fine. This is the sound of a band newly at peace with itself, born of a new confidence and content to be themselves. – by Dave Cooper
A pleasingly coherent and hugely enjoyable record, especially for long-standing fans of the musicians involved. Their music feels effortless, uncontrived; there’s a natural meshing that feels extraordinarily relaxed and natural. – by Dave Cooper
This second ‘Electronica’ album has a markedly different mood to the first volume: it is a more upbeat, uptempo record. On this kind of form, the 67-year old feels genuinely rejuvenated, as vital and unpredictable as ever. – by Dave Cooper
A dreampop delight pitched somewhere between Kate Bush and Goldfrapp, the ‘Circus’ EP is an understated triumph – it may well be Daisy and The Dark’s most polished and effective release to date. Turn this up, sit back and let Daisy cast her spell. – By Dave Cooper
The band have achieved that most difficult of balancing acts – making a record that will appeal to existing fans whilst still moving them into new sonic territory. ‘Delirium’ is the same, yet different: the familiar elements are all here, but so are new twists on the familiar Lacuna Coil template. – By Dave Cooper
‘Affinity’ is quite simply Haken’s finest record to date. It marks a greater confidence and maturity in their writing, the performances are as sharp and polished as ever, it is beautifully produced – it even boasts perfectly suited cover art that mirrors the 80s aesthetic of the record within. ‘Affinity’ is more than just Haken’s best record to date, though – it’s also one of the best records you will hear this year. – By Dave Cooper
Dave Cooper went to the first instalment of Panic Room Weekend at the Robin 2 in Bilston. “Perhaps dedicated mini-festivals such as this should not be just the preserve of established bands: they foster an increasingly dedicated audience, provide unique access to the musicians, and provide a showcase for other up-and-coming acts with a lot to offer.”
In the final part of his deep dive in to the work of Jean-Michel Jarre, Dave Cooper follows the story his extravagant show on the Gizan plateau in Egypt on New Year’s Eve 1999 to the present day.
In the penultimate part of his deep dive in to the work of Jean-Michel Jarre, Dave Cooper tracks the story through the 90s.