Articles by http://echoesanddust.com/wp-content/uploads/gravity_forms/1-3d11e6359f4a3f742938a300b46ac332/2016/09/IMG_0038.JPG
Pilgrimage meditation on monotonous drone dirge foundation: Sleep forever.
An album that traverses some familiar bleak winter metal soundscapes with impressive and adventurous confidence.
Experimental in the best way, they’re curious, patient and sensitive explorations of minimal themes which reward attentive listening in the right late-night or otherworldly mindframe.
The scene is set for an excursion into ancient forests, cold battlegrounds and bitterly rigorous journeys, as Wardruna complete their Runaljod trilogy with new album Ragnarok.
Owen Coggins went to Koko in London to witness Neurosis and Earth play amazing live sets. “The power of Neurosis is an undeniable fact witnessed by all here tonight.”
An effective way to present an experiment in drifting, abstract, improvised jam of noise and effects, pushing out past basic conventions into wild but becalmed, weird ecstatic pastel shades. Far, far out. – By Owen Coggins
Urfaust at their best, this is the sound of a drunken devil trying to keep its balance while staggering along a steep and wintry rooftop. – By Owen Coggins
Overall, the album can feel a bit indigestible because of its length, but there’s certainly ample space for the musicians to engage fully with the different styles, ideas and feels that are born from their interplay with ambient guitar and roving, experimenting percussion. – By Owen Coggins
Four varied and accomplished sides of atmospheric experimentation by three noted drone guitarists and experimenters, recorded in a live improvised session. – By Owen Coggins
New and freshly invigorated, yet unmistakably the same legendary black metal Darkthrone of old. – By Owen Coggins
The theoretical ideas are brilliant and intriguing, but the musical development isn’t quite as challenging or original as you might hope. – By Owen Coggins
After an EP from 2014, Darkher summons a full length album of sombre but powerful evocations. – By Owen Coggins
Before a note is heard, you know what to expect from the name of the band, the album title, and the great misty, murky grey cover image, a mysterious lurking figure trudging half-submerged through the grey marshes. Yep: swampy, witchy, stinking psychotropic sludge promised and delivered. – By Owen Coggins
As soon as the album closer rushes abruptly to a halt, you’ll probably be heading straight back to track four ‘As I Ascend’ again to hear this record’s greatest example of a powerful rhythmic vocal-led black metal performance. – By Owen Coggins
Overall it’s an absolutely thunderous new release, and the band have clearly spent the last five years storing up fury to be released in a flood of expansive riffs, spitting galloping hoofbeat rhythms and vocal chants and growls equally poignant and epic. – By Owen Coggins
The songs and the wider folk tradition that he’s drawing on provide a compelling melodic basis for Carlson to explore, while each is clearly meaningful to him musically and through their subject matter. – By Owen Coggins
Constructed with creative mixtures of rhythms and transitions, there’s a consistent blastbeat bedrock, together with effectively ambiguous and sometimes unusual sound effects that melt into the sonic background, and great complex songwriting matched with distinctive vocals. This is a dense and powerful work of vintage black metal. – By Owen Coggins
Owen Coggins will be covering this year’s Temples Festival for Echoes and Dust and he tells you what bands he’s most excited to see. “After last year’s twin drone doom/hardcore triumph, and the first year’s inaugural success, this third edition sees Temples collect together another brilliantly distinctive line-up to satisfy the allround appetites of the distortion connoisseur, as well as proving they know their stuff well enough to absolutely nail the combinations of specific subgenre representatives.”
Vast, desolate, mournful panoramas of doom. Over the course of just two tracks and a restrained palette of hanging-in-the-air tones matched with a powerful gruff roar, the record has the listener travelling over unforgiving expanses of grey wasteland. – By Owen Coggins
It’s a great, complex record which sees the band reinforcing their existing strengths with newer supplements. – By Owen Coggins
It’s not at all surprising to see fellow French doomsters Monarch! first among the listed bands in the promotional stuff, but where Monarch! masterfully keep a sense of eerie weightless tension strung out across a fifteen minute track, for Deveikuth the routine is a bit more predictable. – By Owen Coggins