Mike Keirsblick is the driving force behind Belgium’s underground and independent record label Consouling Sounds besides running the Consouling Store in the centre of Ghent. We asked Miek about the three records he considers to be a big influence of him.
This album is a definite gem.
It’s a combination of the band’s best ideas on the path of finding their own sound – and therefore the listener must appreciate this album more as being the journey rather than the destination.
I recently found out Silent Front had been going 20 fucking years, that’s mental! Everyone was in a band in school but imagine you never broke up and just kept doing it, what an amazing story! Here’s what guitarist/vocalist Phil had to say about it all.
If BRITNEY were a London based band they’d play every Cosmic Carnage, that is all.
Vodun have had a fucking insane year! From a sold out record launch at the Lexington, to Bloodstock to a poster in Kerrang! Their busy and jaw dropping schedule doesn’t seem to be slowing down either, they are playing fucking Hellfest next year, AMAZING! In fact, it took ages to get this interview back from Chantal as Vodun were touring the country with Uncle Acid and the Deadbeats. Here’s here thoughts on 2016 from the road.
Sammy puts on INSANE looking nights in Manchester at a night called The Beauty Witch! He puts on similar shit to us but bigger stuff too and we’re well fucking jel! I met Sammy at Red Sun Festival this year and again at CHUNK in Leeds, He’s awesome and here’s what he has to say for himself.
At the beginning of last year, Stuart first got in touch to let us know about a project he was just starting which was going to be “a new series of compilation records featuring new music inspired by train travel”. Since them they’ve been knocking it out of the park with their releases with the latest installment out in January and featuring Steven Hodson (Oceansize / Kong) & Gareth JS Thomas (USA Nails). We thought it would be a good time to ask Stu to pick his three records that set him off down this path.
We Wild Blood played the first Cosmic Carnage of the year at the Unicorn back in January. Guitarist/vocalist Andy went fucking crazy throughout and even jumped off the pool table during Death Pedals. I really like Andy, here’s his ramblins’.
I met Kyle just over a year ago when when Zaum played Cosmic Carnage at the Windmill, it was trippy as fuck. They released the album Eidolon this year which is very powerful indeed, listen to it if you haven’t yet, think Om meets Master Musicians of Bukkake. This Canadian two piece will one day achieve world domination I swear, so here’s what Kyle has to say about it all.
I met Julia a few years ago when she was drumming in Throne, she’s awesome. These days, she’s tub thumbing in two very different acts, Casual Nun and Grave Lines who have both smashed Cosmic Carnage this year. Here’s what’s going on inside her thinker.
Ben Cunnigham takes a retrospective look at Third Eye Foundation’s Matt Elliot’s first solo album from 2003.
Lower Slaughter came and played our SMASH IT OUT all dayer at the Windmill back in August. They were so awesome I picked up Barney the bassist and threw him, we liked them so much we invited them back for headline show at the Unicorn in November which was also fucking awesome. Here’s Barney’s thoughts.
Desert Mountain Tribe have had a phenomenal 2016. The release of their debut album, Either That Or The Moon, established them at the forefront of the new wave of psych; a position bolstered by a series of incendiary live performances. We asked the guys to pick three records that set them on their musical journey.
Owen’s (Mike Kinsella) Ghost Town album turned five last month. Simone Del Deo takes a retrospective look at this hidden gem of an album.