Hades Ghosphell: Laotian metal upstarts

Hades Ghosphell are from Laos and they play black metal, which does make them stand out a scene that is overwhelmingly death metal of the more brutal kind. The band was kind enough to answer some of Guido Segers’ questions about playing metal in Laos.

Grimrik: The Sound of Dungeon Synth

Guido Segers caught up with Grimrik, one of the pioneers in the dungeon synth genre, to discuss the genre a bit more, thereby providing a good starting point for people new to this musicical genre.

Mike Thorpe from Vinyl Staircase

Vinyl Staircase are a psych four piece from Dorking, Surrey. They’ve been playing their lively and youthful sets all over venues around the south east of England and generating a good deal of interest. The band have a taken huge steps to developing their sound, blending influences from Brian Jonestown Massacre, Sunflower Bean and The Horrors to create a joyous rollercoaster of riffs and drum barrages topped with chilling vocals that send a spark straight into your brain fuzz.

Charismatic Megafauna

“We are a feminist band – and we try to “live feminist lives” – not just play songs “about” feminism. We hope our message is clear – our lyrics are pretty overt and we shout them as loud as we can”

Justine Jones and Sammy Urwin from Employed To Serve

Jody Dunstan spoke to Justine and Sammy from Employed To Serve before a thunderous set at ArcTanGent 2017.

Luke, Joe, Nic and Paddy from Pijn

Jody Dunstan caught up with Luke, Joe, Nic and Paddy from Pijn prior to their stunning set at ArcTanGent 2017.

1914: Metal and the Horror of War from Ukraine

1914 is a Ukraine based metal band influenced by World War I, or the Great War. Guido Segers caught up with Dmytro Kumar from the band to find out more.

Rhapsody: The end of an Era (Fabio Lione interview)

Guido Segers asked Fabio Lione from Italian powermetal band Rhapsody about the highlights of their career and their upcoming farewell tour.

Black Kirin: Chinese metal on the rise

Guido Segers caught up with Sen Fang from Chinese metal band Black Kirin, to find out more about what it’s like to be a metal band in China.

Ivar Bjørnson from Enslaved

For many years we’ve been getting a little bit of shit from the black metal scene saying, “You guys have wimpy vocals.” And we say, “OK, fuck off, listen to something else.” Then we go to the prog scene, and they’re like, “What’s up with the screaming? Sounds like the guy’s swallowing a toothbrush!” We’re like, “Are you actually aware that the word ‘progressive’ has to do with change, and moving forward?!”

SatanaKozel: Karelian folk metal from the North

Just across the Russian border though, a small scene has been brewing in Karelia. A prominent band in these parts is СатанаКозёл, which translates as SatanaKozel (Satan’s Goat). Guido Segers caught up with drummer drummer Nickolai Kuskov to find out more.

Mikko von Hertzen from Von Hertzen Brothers

Mikko von Hertzen talks about the band’s excellent new album, War Is Over, their changes of approach and harnessing creative differences to be the best band they can be.

The White Skull Death Snakes Of Death!

“Again there are influences, people like Biafra, Rollins early on in Black Flag, Albini. A bit of Iggy. Nick Cave even, with The Birthday Party”.

Possessor: Beer, Sabbath and Horror

Guido Segers caught up with “horror film freaks who love to play crazy rock’n’roll” Possessor from London.

Dani Filth from Cradle Of Filth

Ironically, at that point there were so many different bands – not everyone had gone down the path of sounding like Darkthrone, looking like badgers and posing in the woods with sticks. It was already quite expansive back then. Anyone that was of any note sounded completely different.

“Songs about social injustice and the struggle for a better future” – An interview with Healer of Bastards

“We can’t change the world from our keyboard, or through Facebook, so we have to get out there and work together. Along the way, we should all challenge our own thinking, and the thinking of others. Music has a part to play in this but, ultimately, it’s all about communication and reflection.”



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