(((O))) Tag: album reviews
Penta is not an easy listen. But Jo Berger Myhre continues to explore composition with evocative structure and fearless imagination, leaving us wondering where he—and we—will go next, and what the next chapter will bring in the years ahead.
The Moth is not for the faint of heart, but you have to give Devin a lot of credit for bringing this story to life.
Ultimately, Tarot finds Magenta reinvigorated. It’s a bold, cinematic work that reinforces their place within modern progressive rock while staying true to the genre’s spirit of exploration.
It is challenging, yes, but it’s given an astonishing point of wonder and unexpected sceneries that’ll keep you going back more and more to see and hear of what you’ve been missing.
What can I say? Transcend into Oblivion is the album that you need in your metal collection straightaway.
It’s insane, in your face, and perhaps one of the maddest prog albums Major Parkinson has unleashed this year to let their listeners know, they might have more tricks up their sleeves in the years to come.
A construction of wonder, surrealism, unexpected twists, and a magnitude that’s deserves massive sparks of pure electrifying jolts you really need to get your blood pumping.
Put it on now, crank up the volume, and make sure you keep on headbanging until the crack of dawn, because it only gets louder and nastier than ever!
With the classical, minimal, and experimentation’s flowing on Minutiae, Anile has completed his mission to a vast success. And we got to experience the journey in all of its tremendous glory.
Close feels like an open-ended book with a raw energetic touch that’ll make you feel as if you’re inside this dreamland world of contemplation.
Gomi Kuzu Can feels like a sonic turned avant-garde flower ready to bloom at any second with raw power and eruptive sequences coming out of nowhere.
A Flying Fish it is one of the most wackiest, stirring, avant-rock, and an animated rock opera that’s brought to life.
That a new generation of bands is now rediscovering and reinterpreting for their own is a beautiful thing, and for us who were there first time around it’s like the last 40 years never existed.
Intense, classical, and post-apocalyptic, Lifeblood fills the heaviness into the void of unknown parallel universes that pushes listeners into opened doors to see what chances you will take and how you will change your own timeline. And the result, it is up to you that figures out what to do next.
With its train-chugging arrangements, preparing itself to make the jump to lightspeed, Giöbia aren’t fluking around, they are getting down to business, making one journey to another with this massive spree waiting for us.
You know that this will be a mournful time of looking at the destruction and the abandoned buildings will make you go inside and think of a place that once was, has now been stuck in the past.
The Uncertainty Principle is an album that keeps you coming back for more to see what you’ve been missing and the pieces of the puzzle the band has left behind.
Whether it is meditating alone or imagining yourself walking into a dreamy landscape, Rudy has proven to be the sonic mastermind when it comes to the Sleepy Hills, waiting for us.
Shards becomes a structure of this spiritual journey; finding your true self, and reaching out to someone who you hadn’t been in touch with, for a very long time.






