The night offered a chance to cast off the weight of the contemporary world and revel in the sounds of the 90s and early 2000s, a time when life was perhaps less stressful, hectic, and alienating.
Acid Mammoth, Bloodswamp, WALL and Warren Schoenbright: just four of the highlights of Chris Keith-Wright’s mnorable final day at Desert Fest.
Sander van den Driesche went to Roadburn Festival 2023 to witness the next step in the festival’s evolutionary journey.
I grab a coffee then head over to catch Corrosion of Conformity, at the Ballroom. . . there’s a celebratory air in the room, people swaying, grinning and grooving in a way I haven’t seen elsewhere all day. Yee, and indeed, Haw! See you next year DesertFest!
Big|Brave played a show that took their latest album (which they played in full) to a different level. Earth shatteringly heavy at times, with lovely, textured sounds at others, the sheer volume and dynamics the band command take their live show to another dimension.
It’s that time of year again – Desertfest returns to take over London, or, rather, much of Camden. . . for three days there’s yet another noticeable jump in black t-shirts with unintelligible logos, long hair being whipped around by London’s changeable climate, and the smell of… umm… y’know… freedom? Yes, it’s that time again, and everyone couldn’t be happier.
makingmusic.org.uk comments: “The flexible and democratic nature of folk music. . . has given it a political dimension that persists today” . . .Megson are proof of that claim, their song writing dealing with the mundane and everyday but also engaged with contemporary working class experiences and struggles in a way that parallels Ruts DC.
The album launch for Caroline Polachek’s superb sophomore LP on Valentine’s Day, no less… Love truly was in the air.
GEL play a triumphant show preceding the release of their debut album, Only COnstant. The Freaks Will Inherit the Earth!
On the album launch for their third LP, To Know the Light, Dawn Ray’d add fuel to the fire and convince more to join their thoughtful black metal cohort.
Do black midi dislike their fans? It would be entirely justified…
After a stint that took in shows all around the continent, Napalm Death retuned to the UK on the last leg of their European Campaign For Musical Destruction tour with an absolutely stellar supporting line-up in Dropdead, Siberian Meat Grinder and Escue …
Kayo Dot triumph as they celebrated the 20th anniversary of their daring, influential debut album, Choirs of the Eye’.
A four-band touring juggernaut entered London. Is this the shape of tours to come?
Martha are a splendid conundrum: both special and ordinary, and somehow special because they are ordinary; but mostly they’re a life affirming shot of pop.
As the quintet navigate through their maze-like mathy, progressive rock/metal melange, one could visibly see the joy ping-ponging between the band and their appreciative, entranced audience.