(((O))) REVIEWS

King Crimson – 2014 NYC

It’s a concert experience that leaves you wanting to return immediately, discovering new details with every listen and wondering where King Crimson might have ventured next had the journey continued.

Warning – Rituals of Shame

There’s a gravity to it but not in the way which makes it pompous or overbearing. It just feels natural, and maybe it’s that which makes it have such an impact each time you listen.

Fire in her Eyes – Look into the Sky

The craftsmanship is undeniable, the vision fully realised, and the Livingstone sisters make it clear: this journey is only beginning, and it’s one you’ll want to revisit again and again.

Lost in Kyiv – We’re All Going To Be Fine

There’s something genuinely exciting about hearing Lost in Kyiv strike out for new pastures rather than settle into cookie-cutter post-rock. 

Miroslav Vitouš, Michel Portal, Jack DeJohnette – Mountain Call

Part avant-garde, part free jazz, and part contemporary classical music, Mountain Call is among the most ambitious projects in Miroslav Vitouš’s distinguished career.

Mourir – Nous, Le Venin

Mourir don’t overstay their welcome, but they call for a level of commitment albums in this vein rarely earn from me. This one did, snapping back and stinging exactly as much as I needed it to.

Izzy Oram Brown – What I Want

It is one of those albums that unveils its subtleties with every new play, making Izzy Oram Brown rightly stand close to the top of the current singer-songwriter crowd.

Cancer House – The Moth

Can music be beautiful if, instead of emotion, it offers the listener emptiness? At first glance, The Moth sounds like slowcore, but it does not quite behave according to the genre’s rules.

Shane Embury – Bridge to Resolution

Bridge to Resolution is not an easy listen, but it isn’t meant to be. It’s a stunning, ominous, and deeply personal debut, revealing a side of Shane Embury that has long existed beneath the surface.

Witchsorrow – The Devil And All His Works

Witchsorrow have turned a cult following into something bigger as the songs on The Devil And All His Works are monetised and perfectly executed examples of prime doom metal.

Sari Lightman – The Way I Saw You

It all gives her music that specific, individual touch needed to make her music work and ultimately be a drawing factor for listeners.

Druidess – Trip Meadow

This album is bursting with great songs and has an almost playful atmospheric amidst the doom. Trip Meadow is a mighty fine debut!

Fjall – Helt

Each return visit reveals new details hidden beneath its surface, whether in the subtle interactions between the musicians, the carefully layered textures, or the gradual evolution of its sprawling soundscapes.

Simon Steensland – Explosion of Bad Music

Years from now, when many records have faded from memory, this one will still be lurking in the shadows, daring listeners to enter its world once again.

Million Moons – You Be Good, I Love You

This beautiful hymnal to the animal kingdom is one of the finest produced albums I think I have ever heard from the instrumental genre. Glorious.

Onségen Ensemble – A Tale

These are stories where consequences linger, where revenge schemes twist into moral reckoning, and where every shadow feels alive.

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