Listening to Principle feels like stepping straight into the mid‑to‑late ’70s, right at the height of the arena rock era.

The trio shows full respect for all the musical references and inspirations they cite here, but really ignite some serious fire, as was obviously their intention.

This album demands repeat listens — not because it’s difficult, but because it’s alive, pulsing with detail, danger, and vision. What a ride it is.

Urzah balance slow-burning tension with eruptions of violent force, letting cavernous sludge riffs grind against ritualistic percussion.

Mono’s first recording since the sad passing of Steve Albini is a cathartic and magical release.

Penta is not an easy listen. But Jo Berger Myhre continues to explore composition with evocative structure and fearless imagination, leaving us wondering where he—and we—will go next, and what the next chapter will bring in the years ahead.

Like Conan but wish it had a soundtrack based on doom and psych tinged instrumental post-metal? Well Sleepbomb have just the thing for you.

Next time music critics try to build up and then discard a certain sub-genre, this album might show them that things don’t always work the way they think they should, and that it turns out to be the right way anyway.

Symphonique isn’t just a live album. It’s a full‑blown mental IMAX experience, a concert unfolding inside your skull.

Year of the Monkey is simply stunning in terms of concept, execution and invention. Incredible.

This is an album built for deep listening, an odyssey of sound that will be discussed for months and years to come.

This album would have been better served up as two EPs as trying to get through it in one sitting is something of a chore. Sadly disappointing.

Thought Horizon unfolds as a meditative groove.

Hum Of Hurt is another brilliant Converge album and shows yet another side of the band once again.

Inferno is a worthy addition to Boards of Canada’s wondrous back catalogue.