(((O))) REVIEWS
Magic Castles – Realized
In the case of Magic Castles, with their new album, they actually do introduce that magic element that they saw fit to include in the band’s name.
As soon as the eruptive instruments start to kick in, it becomes this worldly view of a powder keg waiting to explode at any second.
And while Sun Raven’s genre-hopping could sound a bit complex on paper, Stephen Murray, its creator, makes it sound as if these sounds were always bound to be together.
Despite the chaos and disorder Sheeple brings to the table, the album remains surprisingly approachable. While thematic accuracy is a fleeting target, Franck has unleashed a powerful and passionate release this year.
They have taken up the ante by going more into this psychedelic swirl in an art deco fashion which captures the eeriness and surreal abandonment the houses are in perfect state, but lost in time.
I’m People is an easy listening collection of endearing alt-country rock music. Sometimes that’s all you need to get by.
You need to give Blind Revolution a chance to see why they’re honouring the legends of the arena rock and the hair metal movement.
Vargkvint might have put a tough goal in front of herself for this album, but she comes through this task with flying colours.
That’s how incredible Jerome really is. He wants to prove himself that he’s more than just a member of Tangerine Dream.
Three Hares is lovely and listenable, with many pleasing details. It’s almost too pretty to feel heartfelt, but fans of sweet folk-pop will find much to enjoy.
It is more of an acoustic take of the original, full of the electronic side of trip hop, and if it was out of Kiiōtō’s comfort zone, maybe they should stay out of it for a while.
It is challenging, yes, but it’s given an astonishing point of wonder and unexpected sceneries that’ll keep you going back more and more to see and hear of what you’ve been missing.
Flipping its intensity (and volume) up and down throughout its short 3:15 runtime, the track has all the hooks of a soon-to-be-classic indie rock song, but isn’t shy to slice with its experimental edges.
Literally a game of two halves, this release. For the Lightning Bolt half, it’s another blast of sublime aural extreme greatness.
This ‘Arizona’ might not be full of sand, but it is these seemingly small grains of music that make it sound quite big, actually.
This is at times a mournful listen, but the songs may offer a little hope to lost souls, with their ornate beauty.
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