(((O))) Category: Records of the Year
‘leaves most of his contemporaries in the dust; his rapid-fire delivery, complex rhyme schemes, and savage charisma feel mercifully out of a place in a rap market dominated by Auto-Tuned nothings’ – Tinymixtapes
‘those looking for an entrancing, challenging, compelling and god-damn great-sounding clutch of tunes will celebrate and share liberally.’ – The Line Of Best Fit
‘Trephine is a concept album about a fantasy world a hospitalised man encounters after a psychological breakdown. Inspired tragically in part by the death of Guitarist/singer Scott Endres’s close friend, they have created a dark, psychedelic bruising a …
‘If you have any interest in underground music, you will be familiar with Melvins. That scene you love? Over the decades, the Melvins’ sweat, blood, and big hair paved the way for that to happen.’ – Beardrock
‘[their] most eclectic crop of songs to date and stands out as a great guitar-rock album in a year that’s seen its fair share of them already.’ – Tinymixtapes
I tend to rant a lot about genre classification (see: anything I’ve ever written) and how needless it is most of the time. Thus, when I saw that Sheffield’s inFictions classified themselves as ‘post-progressive’ I got a little worried about the content …
‘Unknown Rooms : A Collection of Acoustic Songs’ is Chelsea Wolfe’s third release and it’s a softer inspiring addition to her discography. Prior to ‘Unknown Rooms’, Wolfe was known for a blend of doom rock and gloomy folk that usually featured a full b …
Well they’ve done it again. MINIONTV’s third record in just over two years continues the quality of the others with their wonderful looping drums, powerful layers of guitar and synth, the prominent dancing bass lines, and that ability to get you out of …




