Today, we have a great opportunity, which is that the networks allow us to reach many places, which was unthinkable in previous times. If you did not have a label, you had nothing and it was thrice as difficult today so I think we are in a pretty good time.
Paraguay is one of those places that you can truly consider the South-American heartland. Full of hints of ancient civilisations, strange traditions and a spiritual mystique. It’s also one of those nations subjugated under colonial rule for centuries, and having walked the long road to democracy since 1811’s independence.
It’s also a rare country that has kept its original language. Guaraní is still spoken and at the core of the band Blasphemer. A once-upon-a-time studio project, now a full band that flies the Paraguayan flag proudly.
Band founder, leader, and around grateful dude Luis Battilana was happy to tell me more about his project, country and metal music.
E&D: How is Blasphemer doing? How have things been going for you during this global pandemic?
Luis: Hello Echoes and Dust, a pleasure to be here, because here in Paraguay as in the whole world it has been quite difficult, so we have dedicated ourselves to rewriting the second album, but always keeping the Guarani stamp, in our Latin American countries it is very difficult conceiving a metal band but I think that is what gives it the magic of passion for what we do, on the other hand, what we have done is to go out more and it is about knowing our art more.
E&D: How did you guys get together and get started as a band and what are your biggest inspirations?
Luis: It all started in 2011, my person here is the one who answers the interview (Luis Battilana). Guitarist and founder of the band, I wanted to play extreme metal so I decided to get together with session musicians to carry out this, the name came from the Sodom EP In The Sign Of Evil, because at first, we were doing black-thrash metal, but over time I decided to talk about the history of my country, so the musical line also changed to melodic death metal because I considered that the melody with something extreme was a good driver to take our history as a country everywhere.
And the aspirations I believe that every band that considers their art for real and loves what they do, reach all possible places and that the message of music and visual concept reaches as many people as possible that translates into fans, and economic profit that In the case of Blasphemer I would like to continue offering better things with higher quality because joining an ancestral language with metal is a titanic challenge that requires hours of practice if you are not going to do it well better not do it, those are the aspirations of Blasphemer and continue in Europe shortly already.
E&D: You mention that Blasphemer started with session musicians, but now it’s a band that works together. When did it become that way and how did you meet like-minded musicians?
Luis: In the middle of the pandemic haha. As the Chinese say: ‘crisis is equal to opportunity’. Everything became more about streaming and it was used to expand the music of Blasphemer more. I just got to know more people from different countries and that coincided with a band from Colombia, Fernando from Altars of Rebellion and another from Italy, Andrew Tower from Lahmia who really liked to join my ship. So this is 2021 and I already hope and I’m sure the album will come out, it will also attract a lot of attention that comes with being a band that sings in the original language. I managed to unite people from other countries.
E&D: Which bands inspire your sound as Blasphemer?
Luis: Many really, any band from classical music or rock and roll to the most brutal that can be, if it has a melody, vocal line, or arrangements that catches my attention, it is a direct source for me of inspiration for the music that Blasphemer develops, But always keeping in mind that you are looking to compete with other bands, to show that you also have your own essence and vision without copying anyone.
E&D: So Blasphemer sings in Guaraní, even calling your style thus, can you tell me what using this language means for you as a band? And can you give some background on it and where you guys are from?
Luis: Of course, first, we must start with the name. Many wonder, hey, why is the name in English, if you sing in Guarani? and I understand it but the public must also understand that artists or bands have a philosophy and why we put this or that name to the things that surround our art, the name was not only because of the EP by Sodom, but also because in 1767 the Jesuits were expelled from our country by the Spanish crown and it was forbidden to speak Guarani, leaving the person who will speak it as a heretic and a blasphemer before the church, so the name also evokes that rebellion against the dogmas or impositions of other people in the case of religions and politics that are a pest.
We call our style Guarmetal because of the fusion of Guarani with metal, we really want to be that 1% of bands within metal that come with a musical proposal that is different from the rest, so we decided that Guaraní is our seal and also carry our culture to all possible places, coming from the heart of America such as Paraguay, we were already tired of having to sing in English as everyone else does, so we value and respect the bands that break that mould and do it in their local language. Where do they belong because that means having a personality and above all their own identity, even more so if one talks about what concerns that country or area such as its history or important historical events, the history, and traditions of a people is the hallmark of one before the world.
E&D: You’ve released a full album in Guaraní, titled Arasunu. I’m curious what tales you tell about on this record?
Luis: On the first album Arasunu, historical events are recounted from the colonisation to the last war we had as a Nation, which was the Chaco War that happened in the 30s, there was no line even when it was well defined of what historical line we wanted to handle because We really like our story so we choose the most important events in our opinion.
E&D: Now, that was 5 years ago when it was released and this year you released a new single. What can you tell me about that?
Luis: It has been difficult jajajaja, as I said at the beginning of the interview it is our case coming from a country with many difficulties like Paraguay one of the things that delayed us the most to be able to create new material was that we had to prioritise work and academic issues for which to write material was made slowly, ‘Vapor Cue’ was the first advance of 1811, the second album, and it was a surprise that it was chosen in several countries, quite a liking for what we could notice, that song speaks of one of the most important naval battles of the Great War against the Brazilian Navy so I think we did a good job
E&D: What is the writing and recording process like for Blasphemer, does everyone have a specific role?
Luis: Well, all part of the guitar, when I create a melody or structure that I like, the next thing is to unite and polish it with the ideas of others to finally give it the body, then when the theme is ready, it is to take the history books and looking for an echo that we consider is in accordance with what we hear, sometimes it is quite difficult because there is a lot of material from our history but I always think we choose the best and it is according to the theme, I am in charge of creating the themes, the lyrics, and the concepts the other musicians who accompany me what they do is help me to refine the ideas, and it is recorded in our home studio and then they take everything to the studio where they are finally given all the necessary adjustments to be as it should be with our producer.
E&D: I’ve noticed that there are other bands playing Guarmetal. Which bands should people really check out?
Luis: If so, well for the moment, as far as Paraguay is concerned, we are the only ones who have released an album so far and soon the second one in Guarani, but other bands use our language but very timidly, because as I also mentioned above it is a titanic effort that requires hours to be able to merge both concepts and well to achieve a well done and interesting music, many use a maximum word or phrase, where there are other bands that also do everything in Guarani but from the Tupi branch, which is in Brazil, where there are like 2 or 3 very good exponents of the Truth. What people should hear or see I think that depends clearly and exclusively on how one’s art reaches people
I always believe that the most important thing is to achieve in the instrumental field the correct fusion of technique and melody more united to a lyrical concept that people grasp that is what makes it good, and secondly, to make that art reach people by moving one too. Today, we have a great opportunity, which is that the networks allow us to reach many places, which was unthinkable in previous times. if you did not have a seal, you had nothing and it was thrice as difficult today so I think we are in a pretty good time. It costs a lot, yes. But what doesn’t cost in this life, right?
E&D: So, I understand there are ‘Guarmetal’ bands from Brazil, correct? Which are they?
Luis: That’s right, there are 2 that I know of, which is Arandu Arakuaa, who are great brothers of us, they make a metal groove but in Tupi Guaraní with highly recommended Brazilian folk elements, and the other is more of the black metal line than It is Corubos that is more for people who like the more environmental Burzum, those 2 only bands are the ones that follow the line of metal in Guarani.
E&D: What sort of reception do you get in your own country? Is metal generally accepted and respected? Is there any form of censorship you have to take in account?
Luis: Ough, quite difficult, when the first singles began to be released, I liked it a lot but also many people did not accept the fact that other people wanted to get out of the mould that the rock or metal that is made here is not in English, but that always was the case. There will be the passion and magic of the art that one makes depends on not listening to those opinions and always following what one’s heart and soul dictates to the music that one makes the more you show that you are genuine and love your art, the more true the purpose will be, If it is true, there will be moments that you do not believe to continue but when you start to see that it travels countries or more people share your art, there you will know that your effort and love of what you do is true and genuine. If not, focus on art.
E&D: Is there any censorship in Paraguay, can you sing about anything?
Luis: No, that is the good thing where we are, nobody censors us in what we do or what someone here wants to speak in their art or music, what there is not is diffusion and support that is the most difficult thing in Latin American countries they see culture as something Without meaning or value in part it is due to the military dictatorships that existed from the 50’s until relatively recently that were the 90’s, some even still do not need to be a political scientist or specialist in politics to see the situation in Venezuela and Cuba. They are in a hole, the Latin reality for the subject of culture is really difficult because it has been implanted that it is unnecessary and also that it will never be of benefit to anyone.
E&D: What are the future plans for Blasphemer?
Luis: Future plans are to go to Europe to continue with this, but the first thing is to release the second album, promote it to all possible places and see the reaction outside, we know that it is difficult but not impossible when one sets goals and objectives and pursues dreams. You fight for them, you don’t expect things to fall from the sky because I’m a good person or because I deserve it, no, if you deserve it, earn it based on effort, dedication, and goals, I’m going and the important thing is to finish this second album and come out now.
E&D: Your next album is 1811. You mention a war against the Brazilian navy. Can you tell a bit more about this, because like the Chaco war, these are stories I simply don’t know about. I think many readers may also be unfamiliar with these events. Please, could you give some insights?
Luis: This is the naval steam Battle of Vapor Cué, that was the bloodiest battle against Brazil where our navy was unfortunately outnumbered by the Brazilian, and in order not to be taken the Paraguayan ships decided to sink them, the 2 wars that our country had simply were epic, and with courage the Battle of Curupayty for example with 5,000 Paraguayan men fought against 20,000 allies and won, imagine they are stories and events that unfortunately our country and government is not interested in telling the world that is why nobody knows them if we had the gigantic entertainment infrastructure like Hollywood there are thousands and thousands of stories and feats that it would take at least 30 years to cover even 40% of both wars.
E&D: If Blasphemer was a food, what would it be and why?
Luis: Jajaja this question is great!! I do not know if food, but if I would like it to be an energy bar, for when someone feels that they can no longer continue, they decide to eat a Blasphemer energy bar and say hey, I don’t have to abandon my dreams and goals by eating this I feel that I have the strength to continue more and more it is time to continue and not give up.