Interview: Dymna Lotva
Dymna Lotva is not threatened by censorship. We don’t go into political and social issues, we don’t praise Satan and we don’t incite hatred. But yes, there is a lot of censorship in Belarus. Often concerts are canceled, or musicians are simply not allowed to perform.
Belarus, the last really mysterious place in Europe under the auspicious leadership of a president that seems to be boundlessly popular in a country that is prim and proper like you’ll never see a street in Western Europe. Belarus has a dark underside though, an underground scene full of exciting bands. One of those are folky doomsters Dymna Lotva.
The band has been quite prolific over the years and plays a very distinguished type of music. Their origin leaves a little in the way of the language barrier, but they were kind enough to answer my questions. This took some time, but I’m certain that it will provide you with many new insights on this exciting band.
Dymna Lotva might sound dark and misty, but also presents the listener with the other magic that is Belarus. A country with a long history and a mysterious past. This is part of what Dymna Lotva is about.
E&D: First of let me thank you for taking the time to do this.
Dymna Lotva: Thank you for the interview offer. We apologize wildly for the delay. We have been answering these questions for so long that during this time we have changed our lineup and had to start all over again.
E&D: First, can you introduce yourselves and how you got together?
Jauhien: Hi, I’m a Jauhien and I’m the father of Lotva. It all started with the fact that after writing about 5-6 demos, I made a post on a local music forum about the search for a vocalist to record an EP. Nokt wrote to me and we started to work on material. After the release of the single ‘A Solitary Human Voice’ we began to receive proposals for the concerts and started thinking about a concert lineup.
Forladt: I am Forladt and I play guitar and do some backing vocals in Dymna Lotva. For me, Dymna Lotva was the first and is still the only band I joined. I wanted to play in a band so I gave an advertisement on a forum and Nokt replied to me. We met, talked a lot about music and other things. Nokt and Jaŭhien were already making Dymna Lotva and she invited me to play with them. Since then I’m here.
Nokt: I am Nokt and I am the mother of Lotva. I work on vocals parties, lyrics, concept, costumes, etc. In short, in the band, I do everything except what is really important. And sing.
By the way, we were acquainted with Jauhien and played together for some time before Lotva. We just don’t usually mention it. That is why I immediately responded to his post about vocalist search. We got acquainted with Forladt on the topic of music and his own project (now this is Absence of Life), but I didn’t then consider him as a musician for Dymna Lotva because of a very young age. However, we quickly became best friends. And when Lotva began to look for a concert lineup, we listened to a lot of guitarists, no one approached us, and we still had to call Forladt. And I put him before the fact that he would sing (he didn’t know how to do it at all, but he had to learn quickly). Forladt brought us a young drummer, Shen. He played with us for 2 years, but recently our paths diverged. Now our drummer is Barmaley. We also couldn’t find a second guitarist for a long time, so our friends played at concerts like session musicians. However, a little less than a year ago, Igorr joined us.
E&D: Do you guys play in any other bands or projects? And what bands inspired you to pursue the type of music you make?
Jauhien: I prefer to play my music, but recently Forladt asked to play in his band Absence of Life and I could not refuse. I was probably inspired by Mastodon, Amenra and Leprous.
Forladt: I have my own DSBM project Absence of Life. About the bands that inspire me… I listen to a lot of different music; it is difficult for me to highlight. But at the moment I joined Dymna Lotva, I listened mostly to DSBM.
Nokt: Everything around inspiring me. Singing is the most important thing in my life, so I’m ready to be involved in as many projects as I can. Unfortunately, free time is not as much as we would like. So besides Dymna Lotva I am the second vocalist in the Absence of Life. I also occasionally record guest vocals for various projects and prepare to start another project with my friends.
Barmaley: Darkthrone and Grazhdanskaya Oborona (seriously!) are my inspiration. I will not talk about playing in other bands, otherwise, it will be a too long interview. Favorite drummers are John Bonham and Buddy Rich.
Igorr: I play covers of Opeth, Tool, Lamb of God, Gojira, etc in a jam band.
E&D: Where you inspired by bands from Belarus to make metal music or did it come from foreign bands?
Nokt: I am fully inspired by Belarusian metal and folk scene. Unfortunately, it is not very well known in the world. And it is, even more, a pity that the negative towards all made in Belarus is very characteristic for our mentality.
Forladt: My first metal band ever was Accept, since I listened to lots of heavy metal, then it came to trash, death, black and so on. So I was inspired to start playing guitar and making music mostly from foreign bands.
E&D: Can you tell a bit about the start of metal in Belarus? How did metal music come to Belarus in the first place?
Nokt: We are not so old, so we did not see the start of metal in Belarus with our own eyes. The most famous of our group was and remains the Gods Tower, they have been playing since the 90s.
E&D: You’ve released the single ‘Трудна, нудна на сэрдуньку’. A collaborative effort with Andrei Apanovich. How did this come to be? And are you working on anything new?
Jauhien: It was a very funny story. In fact, this single is the result of losing a bet. In the Russian-language social network VK under one post with voting for the best folk metal band, there was a huge discussion with calls to vote for one or the other side, and we jokingly decided to support Apanovich with his band Trollwald. It was like this: “If Trollwald wins, Dymna Lotva will record folk”. As you can understand – they won.
Yes, at the moment we are working in parallel on several releases. The main one is the second full-length album.
E&D: How do you work on creating your music? Is it something you do together as a band or do you have divided tasks?
Jauhien: In general, we have divided the tasks. I write music, and Nokt writes lyrics. Also with the writing of music Forladt helps a little. Well, I hope our new guitarist Igorr will also join this process.
E&D: Can you tell a bit about the way you approach creating music and how that process looks like for you as a band? I feel there’s a very distinct feeling to your sound and I really wonder where you derive your inspiration from.
Jauhien: I cannot say that I am inspired by nature, books, films or other music. I am rather inspired by the process of creating music, the search for new sounds and interesting moves and combinations. But one cannot say that I am engaged in such a dry business, for I still write based on my inner feelings and mood.
E&D: What themes and topics do you put in the music, what topics do you address with your lyrics? The imagery and overall feeling hint at the land, mysteries, and folklore. Can you tell more about this and perhaps provide some examples?
Nokt: Our country has a very sad fate. So at this stage, all our lyrics are somehow about Belarus. This may be the tragedy of a particular person (as in A Solitary Human Voice I and II). This may be something more abstract, general view of the problem (for example, the total passivity of the Belarusians in the ‘Into the Swamp’ track). Of course, in each text, my own history is also explicitly or implicitly present. They are just on different levels. This year we twice used non-original lyrics – the folk song text in ‘Sick at Heart’ and the poem of the Belarusian poetess in ‘Dying’ – however, the approach remains the same.
E&D: In pictures, sometime Dymna Lotva wears traditional clothing. How deep are these aspects connected to Dymna Lotva? Is there a pagan religious side to your work too?
Nokt: In fact, these are not exactly traditional clothes. In any case, not a reconstruction. But yes, Dymna Lotva deep inside is a pagan band. We do not stick it out clearly in the music and lyrics (at least now). But personally, I have long been deeply interested in Belarusian old traditions and mysteries and YES, I am pagan. I really want to work with folk spells as lyrics. I still do not know whether it will be in Lotva or in some kind of side project, but it will happen necessarily. As for the other musicians, they are all pagans to one degree or another.
E&D: Do you face any sorts of censorship in Belarus as a musician or are you free to do and say as you please?
Jauhien: Dymna Lotva is not threatened by censorship. We don’t go into political and social issues, we don’t praise Satan and we don’t incite hatred. But yes, there is a lot of censorship in Belarus. Often concerts are canceled, or musicians are simply not allowed to perform. For example, I am sure that in Belarus you should not wait for concerts of such groups as Batushka or Behemoth.
Nokt: I do not fully agree with Jauhien. Almost any band can have problems with censorship in our country. For example, a concert of the Belarusian group TT34 was recently banned. The band has been playing for many years, and as far as I know, they had no problems before. They do not touch dangerous topics in their lyrics. As regards DSBM, rumours have long been circulating about the adoption of a new law on the promotion of suicide in Belarus. Theoretically, then the problem can become much more serious than just canceling concerts. If we talk about the situation specifically now, for example, I cannot cut myself on the stage if I want to be able to perform here in the future. And more recently, our lightest sounding song was not taken on the radio (it completely fits the radio format) because of the lyrics. We used poem of the Belarusian poetess, the winner of one of the national poetry contests. The poem tells about dying and did not pass censorship on the radio. Our folk song was also not accepted because of the lyrics (despite the fact that this is a folk text).
By the way, Behemoth performed in Minsk about 6 years ago.
E&D: Which bands from Belarus should people really check out? And why?
Jauhien: Oh, we have such great guys as Nebulae Come Sweet. In my opinion the top 1 in Belarus. Make a unique mixture of doom and post-metal. It seems to me that in terms of interesting arrangements, they surpassed even some famous groups in the genre.
Forladt: I do not listen to a lot of local scenes, but I think that my favourite Belarusian band is Nebulae Come Sweet. Their music is really deep, sensual and unique, especially for Belarus where most of the music is folk or black metal. They are definitely worth checking out.
Nokt: Of course Nebulae Come Sweet is also in my top. But I have to mention other bands. My favourite are: Pragnavit (ritual folk ambient), Vietah (atmospheric black with bright live image), Dzivia (epic orchestral folk), Vicious Crusade (folk trash), Medievil (black), Massenhinrichtung (melodic black with folk elements), Zaklon (atmospheric black), Re1ikt (post-rock with folk lyrics and really fantastic clean male vocals).
E&D: What future plans does Dymna Lotva have?
Jauhien: World musical domination, not otherwise.
Nokt: after the new album release.
E&D: If you had to compare Dymna Lotva to a dish, a type of food, what would it be and why?
Nokt: We are smoked roach. For Russian-speaking people, this is consonant with our name (do you know that in our homeland we are affectionately called “Plotva”?) And it is good with beer.
Forladt: I can’t say properly why, but Dymna Lotva for me is associated with mushrooms. Jaŭhien, for example, is boletus, Nokt is death cap, Shen is amanita and Igor is armillaria.
Jauhien: Alcohol is a dish, right? Then we are absinthe. Hard, but it is not felt; smells like wormwood, and you will like it.