Articles by Chris Keith-Wright
An impressive atmospheric black metal album from the Icelandic mainstays, unfortunately hampered by poor production throughout.
Sunken’s sophomore album is an astonishing leap forward from an already impressive debut. An atmospheric black metal feast, with sonic surprises around every corner, ‘Livslede’s gloomy ritual is downright beautiful.
Emerging from the shadow of Kittie, Mercedes Lander and the rest of The White Swan deliver a fantastic clutch of songs. But it is yet another EP, whetting the appetite once again for their future.
Cross Bringer provide 2020 with yet another astonishing debut record. A band blending many genres together, they master dynamics and pacing to serve up a venomous LP with great depth.
This is the line in the sand, the album by which others in the niche of ‘death doom’ will now be measured.
Sprain emerge from chrysalis a radically different band to their debut EP. ‘As Lost Through Collision’ is a band finding their sound – a unique, creative, very exciting new heavy sound.
A vinyl reissue uncovers a lost, dark gem of an album from the experimental Netherlands underground.
An EP that points the way to an exciting future for the already well-respected, noisey French metallers.
One of the more oblique releases in extreme metal in 2020, Plague Organ’s debut will smother and – perhaps – delight.
A black metal album to cherish, and one for those who love the genre to delight in picking apart, discussing and deep, lights-off listens.
Primitive Man’s third LP is the soundtrack to a mental breakdown; the musical accompaniment to that small flicker in someone’s eye when you know they’ve given up on a dream or hope of good news.
Drouth’s sophomore LP may not serve as the breakthrough it intends to be, but nonetheless it remains an enjoyable, solid album.













