(((O))) Tag: Pelagic Records
Brefjære is the bands best release to date and has made me fall in love with post-rock once again.
Robin Staps dives back in time to discuss the early days of Fogdiver, the slow, steady growth of the band, the present and the future.
With a switch up in the writing process for Holocene, The Ocean have reached back into their history to produce their most diverse album in 19 years.
“Across the mangroves, we will invoke hope.” The two paragraphs that accompany this instrumental symphony of doom conjure up a group of young, dispossessed individuals trudging through a post-apocalyptic wasteland. Against all odds, they venture into a …
They have become so skilled at using every weapon in their arsenal to tug at the heartstrings and inflame the soul that they are simply playing to their strengths. The difference here is that their music can now drag the listener through the breadth of human experience in ten minutes rather than an hour.
For over ten years French cinematic post-rockers LOST IN KIEV have been creating massive, narrative-driven atmospheric rock opuses that have brought them to play on renowned festivals like Dunk!festival and AMFest, as well as on tours with acts like EN …
These are less 16 remixes than they are 16 separate collaborations between like minds, and every one is magnificent in its own right.
Danish lunar sludgers LLNN return with album number three which is a career best and certainly amongst the years heaviest releases.
Taking notes from the best moments in contemporary progressive and post metal, Belgium-based HIPPOTRAKTOR capture the awe-inspiring power of nature – from the delicacy of the first falling leaf to the massive cosmic energy of the sun. By combining the …
Photo: Sami Salmela Maa Antaa Yön Vaientaa is as captivating as it is alienating. The sophomore album by Finnish experimental post-rock extravaganza HORTE is a dark and mesmerizing journey that is best consumed in one sitting – HORTE demand your undivi …
This is a post-metal fan’s dream – intense, explosive, contemplative and textured. Give it time and journey on its many tales, this is simply astonishing.
Magnificently miserable, CROWN excel at crafting atmospheric tension. The End of All things is polished, considered and comfortably the band’s finest work to date.
Beyond The Past is a truly stunning album, here’s hoping we can soon be at one with these four beautiful souls once again.
If colour can communicate forebodings of feelings and introspective mental states, then the cover of LIZZARD’s new album Eroded would be an excellent metaphor for the current state of the world: the ochre, brown and green feel tired, worn, drained, ero …
One of post-rocks finest bands continues its evolution with Oscillate. Huge walls of atmosphere keep the momentum rolling from the ground breaking Versus.
After the unison of around 25 years, the fragmentation of Envy came as a shock to their fans. Things got back in place soon after when the frontman Tetsuya Fukagawa rejoined. This February, 2020, the math-rock band from Japan releases a new album The Fallen Crimson.
I have been published before saying I don’t believe in the concept of perfect. I was dead wrong and it exists in this album.








